TY  - BOOK
AU  - Cazzato,Matteo
AU  - Fliege,Daniel
AU  - Friede,Susanne A
AU  - Friede,Susanne A.
AU  - F�ocking,Marc
AU  - F�ocking,Marc
AU  - Liberman,Avi
AU  - Lombardi,Giulia
AU  - Mehltretter,Florian
AU  - Mehltretter,Florian
AU  - Oster,Angela
AU  - Oster,Angela
AU  - Resch,Sascha
AU  - Sandrini,Aina
ED  - FWF
TI  - A Companion to Anticlassicisms in the Cinquecento
T2  - Classicism and Beyond / Il classicismo e oltre ,
SN  - 3110783436
AV  - PN56.C6 
U1  - 809/.9142 23/eng/20230404
PY  - 2023///]
CY  - Berlin, Boston
PB  - De Gruyter
KW  - Classicism
KW  - Antiklassizismus
KW  - Italien / Kultur
KW  - Italienische Kulturgeschichte
KW  - Klassizismus
KW  - Renaissance
KW  - LITERARY CRITICISM / European / Italian
KW  - bisacsh
KW  - Anticlassicism
KW  - Italian Cultural History
N1  - Frontmatter --; Contents --; Introduction: Four Types of Anti-classicism --; 1 Explicit Anti-classicism --; 2 Implicit Anti-classicism --; 3 Alternative Classicism --; 4 Benvenuto Cellini as a Paradigm of Para-classicism in the Cinquecento --; Bibliography --; Index nominum
N2  - 'Anticlassicisms,' as a plural, react to the many possible forms of 'classicisms.' In the sixteenth century, classicist tendencies range from humanist traditions focusing on Horace and the teachings of rhetoric, via Pietro Bembo's canonization of a 'second antiquity' in the works of the fourteenth-century classics, Petrarch and Boccaccio, to the Aristotelianism of the second half of the century. Correspondingly, the various tendencies to destabilize or to subvert or contradict these manifold and historically dynamic 'classicisms' need to be distinguished as so many 'anticlassicisms'. This volume, after discussing the history and possible implications of the label 'anticlassicism' in Renaissance studies, differentiates and analyzes these 'anticlassicisms.' It distinguishes the various forms of opposition to 'classicisms' as to their scope (on a scale between radical poetological dissension to merely sectorial opposition in a given literary genre) and to their alternative models, be they authors (like Dante) or texts. At the same time, the various chapters specify the degree of difference or erosion inherent in anticlassicist tendencies with respect to their 'classicist' counterparts, ranging from implicit 'system disturbances' to open, intended antagonism (as in Bernesque poetry), with a view to establishing an overall picture of this field of phenomena for the first time
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3539807
ER  -